Central Saanich’s 75th anniversary celebrations on July 25, 2026, delivered an eclectic soundtrack to a memorable community afternoon. Local musicians of every generation took to the stage, from rising 14-year-old singer-songwriter Chase Varnes to teenage rock bands Wreckage, Wet Knees, and Kingston Weesa. The ever-popular 130-voice Victoria Rock Choir delighted the crowd with a collection of classic rock anthems before professional acts including Vanilla Riot and energetic headliners The Best Laid Plans, fronted by local school alumnus Nick La Riviere, brought the celebrations to a fitting climax.

For this review, however, the spotlight falls on one of the day’s standout performances: Madison Olsen and her band, Madi and the Dads.
The band features Madison’s father, Nick Gilchrist, on bass, a respected local music producer at Roosa Records; Dave Bosma on guitar and backing vocals; Brentwood School of Music owner Mike Preston on drums; and keyboard virtuoso Andy Sloniowski—the only member of the band who isn’t actually a dad.
The performance took place beneath a large tented stage at Centennial Park, surrounded by towering trees that offered welcome patches of shade on a warm summer afternoon. Around 80 people gathered directly in front of the stage, enjoying excellent sound from the PA system. Unfortunately, those relaxing in the nearby fenced beer garden didn’t experience quite the same audio quality—but judging by the atmosphere in that space, they were still having fun.
Madison Olsen has become one of the Brentwood Bay and Central Saanich area’s most admired young musicians. An accomplished singer, songwriter and pianist, she fronts Madi and the Dads—a group affectionately described in their promotional material as “a talented crew of dad-vibe musicians in varying states of beard.”
From the opening song onward, a common thread emerged throughout the set. Whether performing carefully chosen covers or introducing original material, each song explored themes of love, heartbreak, self-discovery, emotional struggle, teenage uncertainty and the complicated journey of growing up. It was a thoughtful and emotionally connected set that suited Madison’s expressive style.
The band opened with Cage the Elephant’s “Cigarette Daydreams,” immediately showcasing Madison’s rich, powerful voice. Her vocal maturity is remarkable as she effortlessly captures both the vulnerability and emotional depth of the song.
Madison then revealed that the audience would be among the first to hear several original songs from her forthcoming debut album, which is expected to be released on Spotify.
The first, “Get Well Soon,” proved to be an immediate highlight. Leaning fully into her greatest strength – her vocals – the song carried echoes of youthful heartbreak, regret, love and memory. It was emotionally honest without becoming melodramatic and demonstrated genuine songwriting ability.
She followed with another original currently titled “Unfortunate Sons,” although she later mentioned it may be renamed “Red Flags.” That may prove a wise decision, avoiding any inevitable comparison with Creedence Clearwater Revival’s classic Fortunate Son.
One of the strongest moments of the afternoon came with “Ghost at the Helm,” another original that further demonstrated Madison’s growing confidence as both a songwriter and performer.
The emotional intensity continued with Lola Young’s “Conceited.” Its haunting lyrics and driving rhythm filled the field, prompting genuine goosebumps. Madison delivered the song with conviction, exploring themes of fractured relationships and emotional conflict with impressive maturity.
Her lower vocal register was particularly striking, carrying shades of Adele and Amy Winehouse without ever sounding imitative. Instead, Madison’s performance retained its own identity while demonstrating remarkable control, warmth and emotional expression.
Throughout the set it was evident that nerves occasionally crept in, something entirely understandable for any live performer introducing original music. Madison also explained that she was battling hay fever, with the pollen from the surrounding grass affecting her voice. At times she seemed to struggle to reach a handful of higher notes, but these brief moments did little to diminish what was otherwise an outstanding performance. If anything, they highlighted the professionalism required simply to continue delivering under difficult conditions.
The set closed with Bruno Mars’ “Locked Out of Heaven,” an energetic finale that allowed both Madison and the band to finish on a high. Dave Bosma’s backing vocals added welcome depth, while the entire band provided a tight, polished performance throughout – Well done Dads!
This self-deprecating anthem has touched listeners around the world. Reading comments on social media about this song, it seems to have helped many overcome their depression. Let’s hope anyone listening to these songs will have the same outcome.

Madison threw herself fully into the song, confidently navigating its Police-inspired phrasing before unleashing the soaring chorus and dynamic bridge with infectious energy. It was a performance that left the audience smiling and provided a fitting conclusion to an impressive afternoon.
The music industry is notoriously difficult to navigate, particularly for emerging artists. Canada’s beloved singer-songwriter Jann Arden often reminds aspiring musicians that she was never an overnight success. In her memoir If I Knew Then, she recalls receiving countless rejection letters early in her career. Had she followed the advice she was given, she later reflected, she would have ended up sounding like everyone else instead of herself.
Her breakthrough album Living Under June was initially rejected by A&M Records because executives simply didn’t know where her music belonged. It wasn’t until one executive revisited her recordings after experiencing his own heartbreak that the emotional honesty of her songs finally resonated. The rest, as they say, is history, with millions of albums sold worldwide.
It’s a timely reminder that originality often takes time to be recognized.
Madison possesses something that cannot be taught: authenticity. Her songwriting is thoughtful, her voice is exceptional, and her stage presence will continue to grow with experience. If she continues writing from the heart and trusting her own musical instincts, there is every reason to believe her journey is only just beginning.
Set List
- Cigarette Daydreams — Cage the Elephant
- Get Well Soon — Original
- Unfortunate Sons (working title, possibly changing to Red Flags) — Original
- Crazy — Gnarls Barkley
- Teenage Dirtbag — Wheatus
- Ghost at the Helm — Original
- Conceited — Lola Young
- Cold Mess — Original
- Locked Out of Heaven — Bruno Mars
Madi, keep going; you have pure talent that should go far.
Link to Video Clips:
Madi and the Dads – Live in Central Saanich, July 2026:
Fundraising is rarely easy, but add great music, dancing and a shared sense of community, and you have the recipe for a memorable and successful event.
As the evening progressed, the 80s experience, cover band, Neon Waves, took to the stage and transformed the hall into a lively 80s dance party. Performing crowd-pleasing hits such as I Love Rock ‘n Roll, Walking on Sunshine, Call Me and many other iconic favourites, the band had the dance floor packed from the first song to the last.













With literacy issues being a hot topic at schools today, it is no surprise that the Head and Teachers in Year 1-2 at Kingston’s Rideau Public School, in Ontario Canada, Canada, jumped at the chance to welcome a children’s author, who aims to “make reading fun”.
The image in question was naturally not a canoe but a Venetian Gondola.
Finally, the workshop closed with a special Question and Answer session. The author’s twin sons had also attended the workshop and were happy to answer questions about their life in French Schools. The Canadian school children were shocked to learn about the long days endured by French students. Commencing school at 8.30 am until 4.30 pm with 30-45 minutes of homework. There was even an option to remain at school at an “after school” option for help with homework up until 6.00 pm. However, it came as a surprise to understand that there is no school on Wednesday in France. This day is left for children and parents to choose the sport, art or music class they may wish to attend. There was strong praise for the French school cooked lunches by the young visitors. No packed lunches allowed. For children whose mother’s did not work, they typically had to go home for lunch. All other children sat down to 3 or 4 course lunch each day. Example: Tomato, Feta Cheese and green Salad, Roast turkey with vegetables, Yoghurt, Fresh Fruit, Bread and water. The cost of school lunch is means tested, such at low income families receive lunch for free and the highest price that was charged was 5 euros per day. The bonus of the school lunch break was that this ran for two hours! Yes, two hours so that everyone at the school could be seated in the canteen to eat and then have an additional one hour to digest their food and play in the playground.